Discussion Group: 'The Body in Performance’

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Discussion Group: 'The Body in Performance’

Thursday 5 February 2026, 3pm - 4.30pm

Seminar Room 56, Schwarzman Centre for the Humanities

All welcome

 

 

‘You’re the snake charmer, baby. And you’re also the snake.’ So sings Laurie Anderson in “Closed Circuits” (1984). Music is often considered incorporeal – described in terms like “transcendent” and “ethereal” – yet it is produced by bodies and received by them. In this session, we will discuss the gendered associations of composition and performance, the performing bodies of artists such as Laurie Anderson and Yoko Ono, and the (im)possibilities of being both snake charmer and snake. 

 

Reading: 

Susan McClary’s sixth chapter “This Is Not a Story My People Tell: Musical Time and Space According to Laurie Anderson” from Feminine Endings: Music, Gender, and Sexuality (2002) and Vera Mackie’s chapter “Instructing, Constructing, Deconstructing: The Embodied and Disembodied Performances of Yoko Ono”  from Rethinking Japanese Modernism (2012). 

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Please let us know any questions to bihn@history.ox.ac.uk

Please follow us on Bluesky @bodyinhistoryox.bsky.social


Body in History Network is part of TORCH Student Networks