OxOnSong Concert Series 1 | Image Gallery

#OxOnSong brings together the Faculties of Medieval and Modern Languages and Music as well as the Maison Française d’Oxford. The “Debussy Days” performances bring together British and French performers for a series of three concerts.

This event is part of the Humanities Cultural Programme.

 

Find out more about the #OxOnSong project here.

#OxOnSong brings together the Faculties of Medieval and Modern Languages and Music as well as the Maison Française d’Oxford. The “Debussy Days” performances bring together British and French performers for a series of three concerts.

This event is part of the Humanities Cultural Programme.

Find out more about the #OxOnSong project here

 

Philippe Cantor (Baritone) and Daniel Propper (Piano)

« CLAIRS de LUNE »

 

Claude Debussy – Gabriel Fauré

Clair de lune (Suite bergamasque pour piano) DEBUSSY

Nocturne (Villiers de L’Isle-Adam) FAURÉ

Après un rêve (R. Bussine) FAURÉ

La belle au bois dormant (Hyspa) DEBUSSY

Les Berceaux (S. Prudhomme) FAURÉ

Soir (A. Samain) FAURÉ

Arpège (A. Samain) FAURÉ

Les Présents (Villiers de L’Isle-Adam) FAURÉ

Fantoches (P. Verlaine) DEBUSSY

Tristesse (T. Gautier) FAURÉ

Nuit d’étoiles (Th. De Banville) DEBUSSY

Larmes (J. Richepin) FAURÉ

Aurore (A. Silvestre) FAURÉ

La Grotte (T. L’Hermite) DEBUSSY

Automne (A. Silvestre) FAURÉ

Clair de lune (P. Verlaine) FAURÉ

En Sourdine (P. Verlaine) FAURÉ

Mandoline (P. Verlaine) DEBUSSY

Colloque sentimental (P. Verlaine) DEBUSSY

 

This concert series is supported by TORCH as part of the Humanities Cultural Programme in collaboration with Maison Française d’Oxford, Harris Manchester College, Jesus College and All Souls College.

With thanks to the President and Chaplain of Harris Manchester College, the Principal and Chaplain of Jesus College, the Warden, Chaplain and Fellows of All Souls College and all the support staff (events, administration, lodge etc.) of all three Colleges and of the MFO.

 

Part of the #OxOnSong HCP Project events.

 

Photos by Stuart Bebb