Where There's Tamil Food

 

 

Where there’s Tamil food

In between lockdowns – I don’t remember which –
I finally notice Shakthi Vel temple. Specifically
the signage above the UPVC door: the Tamil
symbol for aum in bright red Word Art. Wait

no. It’s the smell that gets me first. Without a doubt
my nose picks up just-cooked Basmati rice, katharikai
and parappu. I think of mum. And my dad.
I’d relished the paradox of freedom in lockdown –

home was Green Lanes not Watford or Jaffna.
Except here was Shakthi Vel with it’s temple food
smelling of home home. Smelling of Watford
Murugan temple, of Nallur Sivan temple

and I’m six again. Stood on the women’s side
of the prayer hall beside Lord Ganesha
chanting Vakrathunda. Our priest rings
a brass bell and I cover my ears which is

I’m told extremely disrespectful when god
is being called. But what I’m waiting for is
post-prayer time in the food hall. Where the floor
is lava and desert is mandatory since it’s blessed by

Gayathiri Kamalakanthan

god. That’s when Green Lanes becomes both
a portal, home. Inside Shakthi Vel an aunty
serves me dinner. After 10 months I eat her
food I didn’t know I missed. Before I leave

she fills boxes for my freezer, portu vaango ma.
It’s that way family never say goodbye. I send
photos of my meal and the building
to mum. She’s relieved

there’s a place so close to home
where my Tamil tongue
is kept alive.

 

Gayathiri Kamalakanthan

Gayathiri Kamalakanthan -  I am a non-binary Tamil person, from the Tamil diaspora. My parents left Sri Lanka due to the civil war in the 1990s. Sri Lanka and now London (where my parents settled) have often not felt like 'home home' for various reasons such as colonial queerphobia that our community has inherited. So lockdown brought some difficult feelings, as well as space to create what home meant to me. I found myself drawn to the Tamil temple on Green Lanes which I didn't know existed before lockdown - I'd just missed it every morning walking to the tube. It smelt like home and I realised there's so much more than 'rejection' that I feel about 'home'. My submission explores the shapeability of the future, decolonial inheritance and Tamilness. I have developed work with 45North, Kali Theatre and Oxford Playhouse, and will be showcasing my debut play Period Parrrty in 2023. I won the Primadonna Prize for fiction 2021 and am currently under the mentorship of Griot’s Well and London Library Emerging Writers.

 

This submission is part of Dr Jennifer Wong's Visiting Fellowship - A Personal History of Home