Young Rembrandt and his works on paper | Online Study Day

https://www.youtube.com/embed/cuplUXfUYss

YOUNG REMBRANDT AND HIS WORKS ON PAPER

ONLINE STUDY DAY

 

Organised by the Ashmolean Museum of Art and Archaeology (Oxford) and the Netherlands Institute for Art History (RKD, The Hague)

 

This event is also part of the Humanities Cultural Programme, one of the founding stones for the
future Stephen A. Schwarzman Centre for the Humanities.

 

Session 1: The Young Rembrandt exhibition

 An Van Camp (Christopher Brown Curator of Northern European Art, Ashmolean Museum of Art and Archaeology, Oxford): A Curator’s View of the Young Rembrandt Exhibition

Peter Klein (Professor Emeritus in Wood Biology, University of Hamburg) and Jevon Thistlewood (Paintings Conservator, Ashmolean Museum of Art and Archaeology, Oxford):A rediscovered painting from Rembrandt’s Workshop at the Ashmolean Museum

ession 2: Recent Material-Technical Research on Rembrandt’s Early Drawings and Prints

Moderator: Jane Turner (Head of the Rijksprentenkabinet, Rijksmuseum, Amsterdam)

Michiel Franken (Curator of Technical Documentation Rembrandt and Rembrandt School, Netherlands Institute for Art History RKD, The Hague): Rembrandt, his Teachers and the Education of Seventeenth-Century Dutch Artists

Rick Johnson (Geoffrey S. M. Hedrick Senior Professor of Engineering, Cornell University, Ithaca, New York): Identifying New Watermarks in Impressions of Rembrandt’s Early Etchings: The WIRE Project at Cornell University

Erik Hinterding (Curator of Prints, Rijksmuseum, Amsterdam):The Young Rembrandt as an Experimental Printmaker

Session 3: Recent Art-Historical and Provenance Research on Rembrandt’s Early Drawings and Prints

Moderator: Jacquelyn Coutré (Eleanor Wood Prince Associate Curator of European Painting and Sculpture before 1750, Art Institute of Chicago)

Ilona van Tuinen (Curator of Drawings, Rijksmuseum, Amsterdam): The Emergence of Rembrandt as a Draughtsman

Stephanie Dickey (Bader Chair in Northern Baroque Art, Queen’s University, Kingston,Canada):Everyday Life in Rembrandt’s Early Works

Tico Seifert (Senior Curator of Northern European Art, National Galleries of Scotland, Edinburgh):The King, the curious, and the collectors: Rembrandt’s works in Britain before 1700

Robert Fucci (Lecturer, University of Amsterdam): Understanding the Collecting and Patronage of Rembrandt’s Prints in Seventeenth-Century Amsterdam

 

www.ashmolean.org

 

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